Arts-Based Community Development Convening
Transforming Post-Industrial Cities through Art and Innovation
April 12 through 14, 2012 - St. Louis

Hubert Massey

Artist- Hubert Massey Murals

Panelist - 2:15pm, Thursday, April 7- Just Cities: Creating Equitable Enviornments for Everyone.

Hubert Massey graduated from Grand Valley State University in 1981 with a Bachelors of Arts. Prior to graduation, Mr. Massey was selected by the University to study to art at the University of London – Slade Institute of Fine Arts. This experience provided Hubert with vision to realize the importance of the marriage between art and architecture. Massey began to see how art should be intertwined with architectural projects at inception, rather than as an afterthought when a project is near its completion.

After graduating from Grand Valley, Mr. Massey invested 12 years as a Pictorial Painter at Gannett Outdoor Sign Company.  During this time, Massey continuously educated himself and refined his painting skills.

In 1989, Mr. Massey began studying art restoration and conservation. Through self- study and research, Mr. Massey learned the art restoration and conservation techniques used by the “Old Masters”. Some of these techniques were used in Mr. Massey’s mural, ”The Death of Laocoon and his two sons, Antiphas and Thymbraeus. This mural graces the lobby of the Athenaeum Hotel, 1000 Brush Avenue (Greektown), Detroit, MI.

Mr. Massey is well versed in numerous Fine Art techniques. Based on these talents, he has been commissioned to participate in many art programs, workshops and gallery exhibitions as noted: Art Instructor -Detroit Council of the Arts, Detroit Summer Youth Employment Program and the Advanced Gifted and Talented Program. The Advanced Gifted and Talented Program is housed at Wayne State University and is a joint collaboration between Wayne State University and the Detroit Public Schools.

In 1995, Mr.Massey was selected to participate in a Fresco workshop under the tutelage of Stephen Dimitroff and Lucienne Bloch, who were apprentices to Diego Rivera. Frescoes have long been considered a lost art and one of the most noble mediums for an artist to work with. Creating a fresco challenges an artist’s ability to the fullest. Massey was commissioned by Grand Valley State University to create a fresco. The fresco titled “Importing and Exporting of Knowledge” is housed in the newly built Richard DeVos Building at the university’s Downtown campus. Massey is currently completing a large-scale lunette fresco for Detroit’s prestigious Detroit Athletic Club. This fresco depicts Downtown Detroit. The waterfront, the city’s two new stadiums, and the city’s cultural center are included in this mural.

Hubert has been commissioned to create works of art in many public places throughout the metro Detroit area. The Michigan State Fairgrounds was home a mural depicting the history of Michigan. A granite petrography carving, designed and created by Mr. Massey is housed at the entrance of the newly built IRS Midwest Computer Center in Detroit.

The terrazzo floor which graces the Rotunda room of the Charles H. Wright Museum of African American History in Detroit, Michigan, was designed by Hubert Massey. This design, entitled Genealogy, depicts the struggle of Africans and African Americans throughout history. The floor, which is 72 feet in diameter, is one of the main focal pieces in the museum.

In April 2001, Hubert was selected by Grand Valley, his Alma Mater, as one of three recipients of the distinguished alumni award. This award recognizes alumnae that have made significant achievements in their professional career.

In 1993, Mr. Massey’s talents were recognized by the National Society of Mural Painters of New York. This organization was established in 1895. Hubert is active in many community projects and as a result of his extensive community involvement, he was appointed to the Wayne County Community Leaders Council in 1995.

The range and depth of Hubert Massey’s work may be seen through commissioned work and those produced for his personal collection.